Fans have been debating what country music is and what it should sound like probably for as long as the concept of "country music" has existed. Between the Nashville Sound and Chet Atkins, the outlaw backlash, the Urban Cowboy fad, the neotraditional movement, the Garth/Shania boom years, "Murder on Music Row", the rise of alt-country and Americana, Taylor Swift winning Entertainer of the Year, "old farts and jackasses", the emergence of bro-country, the out-of-nowhere success of Chris Stapleton and all the other notable events and eras, I'm sure you've heard all the arguments and back-and-forths by now. At this point, rehashing this whole debate is not beating a dead horse, it's exhuming the body and lighting it on fire. But if you'll indulge me, I'd like to give my thoughts on this subject.
I guess the question we have to ask ourselves is, "What exactly is country music?" The biggest issue surrounding this whole debate is that there's no official, objective criteria that determines what is or isn't country. It's not like a deity has descended from the heavens to inscribe the one true definition of country music onto a stone tablet, nor have scientists discovered a new theorem that can be used to irrefutably prove whether a piece of music is or isn't country. Webster and Wikipedia are vague, and talk more about country music's influences and places of origin than what it actually sounds like. Ultimately, it seems people's conceptions of country music vary depending on when they were born, what music they've been exposed to, and what they like.